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Portrait of Machado de Assis
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Machado de Assis

1839–1908 · Brazilian novelist, poet and chronicler

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Joaquim Maria Machado de Assis (Rio de Janeiro, 1839–1908) was a Brazilian novelist, poet, playwright and short-story writer, and is generally regarded as the greatest name in Brazilian literature. He wrote in Portuguese during the years when the empire gave way to the republic. His work marks Brazil's move from Romanticism to Realism.

He came from a poor family in Rio. His father was a house painter of freed-slave descent and his mother was a Portuguese laundress, and she died when he was still a boy. He had little formal schooling. He taught himself French, partly from an immigrant baker, and later English, German and, in old age, Greek. He began working in print shops and newspapers, and at fifteen he published his first poem in a magazine. Over the years he climbed the civil service, first in the Ministry of Agriculture, Commerce and Public Works, and Emperor Pedro II gave him a post and an honour.

His early novels, including Ressurreição, A Mão e a Luva, Helena and Iaiá Garcia, were popular, though critics thought little of them. Around 1881, Memórias Póstumas de Brás Cubas changed his tone. Its narrator is a dead man, and the book is full of irony and scepticism about human vanity. Quincas Borba, Dom Casmurro and Esaú e Jacó followed, novels in which ambiguity and humour replace sentimental storytelling. He also wrote short stories, poems and chronicles. Some contemporaries, such as José do Patrocínio and Lima Barreto, criticised his distance from politics and from the abolitionist cause.

His wife Carolina died in 1904, and he lived out his last years alone and melancholy until his death in 1908. He was the first president of the Brazilian Academy of Letters, founded in 1897 with other intellectuals. His influence reached Olavo Bilac, Lima Barreto, Carlos Drummond de Andrade and the American novelist John Barth. Today he is placed beside Dante, Shakespeare and Camões among the great names of world literature.

Key works

  • Posthumous Memoirs of Brás Cubas, 1881: a novel narrated by a dead man that marks the beginning of Realism in Brazil.
  • Quincas Borba, 1891: a philosophical novel about selfishness and vanity, named after its central character.
  • Dom Casmurro, 1899: the story of a narrator's jealousy, whose account of events is hard to trust.
  • Esau and Jacob, 1904: the tale of two rival twins in Brazil during the move to the republic.
  • The Alienist, 1882: a short story about a doctor who locks up his neighbours in an asylum.

Books to read

See the whole library

Curiosities

An unusual dedication

Posthumous Memoirs of Brás Cubas opens with a dedication to the worm that first gnawed the flesh of its narrator's corpse, announcing from the start the voice of a dead narrator.

French lessons from a baker

According to surviving evidence, he learned French from a baker's assistant in a bakery in São Cristóvão, and as a young man he translated Victor Hugo's The Toilers of the Sea.

A portrait that stayed

When a republican commission came to his office to remove the portrait of Emperor Pedro II, whom he admired, he refused, saying the picture had entered by one order and would leave only by another.

Teachers and influences

Influenced by

Influenced

Original Filopedia text based on Wikipedia (es) and Wikipedia (en) and Wikidata.