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Portrait of Terence
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Terence

184 BC–158 BC · Roman playwright of the Republic

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Publius Terentius Afer, known in English as Terence, was a Latin playwright of the Roman Republic and the author of six comedies that survive complete. He wrote in Latin but based his plays on Greek originals, so his work sits at the meeting point of both traditions. He matters chiefly because his plays were read in schools for centuries.

Ancient authors say he was born in Carthage, came to Rome as a slave, and was educated and freed by a senator, Terentius Lucanus, whose name he took. He probably moved in the circle around Scipio Aemilianus. The traditional biography, attributed to Suetonius, is widely regarded as largely guesswork, since it was written long after his death. He is said to have died young, perhaps of illness or in a shipwreck on a trip to Greece, though this may also be an invented explanation for why he left only six plays.

His comedies, staged between 166 and 160 BC, adapt late Greek New Comedy, above all the work of Menander. Terence did not move the plots to Rome, since the conventions of the time kept light-hearted affairs out of the city, so he kept Greek settings. His most admired quality is a clear, direct, conversational Latin. His prologues are also combative: instead of summarising the plot, they answer the attacks of a rival whom Terence calls old and spiteful, often identified as Lucius Lanuvinus.

His legacy was long. Medieval scribes copied his plays in large numbers, and monasteries used them to teach Latin. The nun Hrotsvit of Gandersheim claimed to have written her own works so that her sisters would not waste time reading Terence. Luther recommended his comedies for schoolchildren, and Shakespeare, Montaigne and Molière read and imitated him. His plays remained part of the Latin curriculum across Europe until the nineteenth century.

Key works

  • Andria (166 BC): a comedy about a young man caught between an unexpected love and his family's plans.
  • The Mother-in-Law (Hecyra, 165 BC): the story of a daughter-in-law rejected by her husband and mother-in-law, whose first staging failed.
  • Phormio (161 BC): a clever parasite who rescues two young lovers from their troubles.
  • The Eunuch (Eunuchus, 161 BC): a tangle of mistaken identities, disguises and romance that was a major success in Rome.

Where to start

Andria

Andria is the earliest surviving comedy by Terence, written around the age of twenty. It adapts two plays by the Greek Menander and presents a romantic tangle among young lovers, strict fathers and cunning servants. It is an accessible entry point into his humour and his way of building characters.

Next: The Eunuch. The Eunuch continues with amorous intrigues and clever slaves, and shows how Terence combines and reworks his Greek models with greater assurance.

Works in Filopedia

Books to read

  • The Comedies of Terence Literally Translated into English Prose, with Notes EnglishGutenberg
  • The Comedies of Terence EnglishGutenberg

See the whole library

Curiosities

A box-office record

According to the tradition transmitted through Suetonius, *The Eunuch* fetched a price no comedy had earned in Rome before, and it was performed twice in a single day.

Lost music

A single phrase from *The Mother-in-Law* survives in the manuscripts and is all that remains of ancient Roman music.

A presidential praise

The American president John Adams wrote to his son that Terence was remarkable for his good morals, good taste and good Latin.

Teachers and influences

Influenced

See on the map of influences →

Original Filopedia text based on Wikipedia (es) and Wikipedia (en) and Wikidata.